



The Fulton Theatre known for its traditional location in the heart of Lancaster, Pennsylvania made some wonderful attempts to diversify and present musicals in the 2022-2023 MainStage Series that brought much needed representation in staged productions. This line up included Kinky Boots, White Christmas, The Play that Goes Wrong, The Wiz, Titanic, and Grease. Each production regardless of its historic notions in casting made attempts to broaden its choices by diversifying the cast upon the stage – this was most notable in Fulton Theatre’s The Wiz which ran from March 2 – March 26.
The Wiz was historically produced by Ken Harper who had the idea to recreate an all-black version of The Wonderful Wizard of Oz during the Afrofuturism art movement in the 1970’s. It made its Broadway debut in 1975 and then became a movie musical released in 1978 which did not necessarily translate from stage to screen – as said the movie critics back then. However, leaning back into its success as a seven Tony Award winning staged musical, regional theatres felt that this was an opportune moment to showcase the rich history and diversity the show had to offer – and The Fulton Theatre did just that.
The production was directed by E. Faye Butler whose career spans over 40 years. She is somewhat iconic in the theatre world as an actor, singer, and more recently as a director. Her intention was to revisit this groundbreaking musical which paved the way for black artists to present their retelling of the classic musical, The Wizard of Oz. Its music genre is styled in gospel type song fare along with other elements of jazz, funk, and rhythm and blues. It is certainly a time capsule of the early 1970’s music genres as its music compositions were completed in 1974. Regardless, Butler found the nostalgia and brought it through from her actors on stage.
The main players in The Wiz such as, Dorothy (Jaden Dominque), Scarecrow (Lawrence Flowers), Tin Man (Darren Lorenzo), Lion (Lorenzo Rush Jr.), The Wiz (Kelvin Ruston Jr.), Glinda/Aunt ‘Em (DeQuina Moore) and Addaperle/Evillene (Paris Bennett), had wonderful chemistry throughout the show that fully engaged the audience. The ensemble mostly made up of professional local actors were also in wonderful form as they were choreographed by Kenny Ingram who was known for his creativity and sass during the Fulton’s earlier production of Kinky Boots.
The set design although creative in its format, left much to be desired. It did however give more stage presence to the main characters and cast – so this was probably left intentionally as director E. Faye Butler wanted to highlight the conflict and resolution for the characters. It was beneficial to see such movements on stage as it brought full arcs to the protagonist, Dorothy (Jaden Dominique) and antagonist, Addaperle/Evillene (Paris Bennett). One thing to note was the vocal prowess of Paris Bennet whose voice had vigor and strength as she belted out “Don’t Nobody Bring Me No Bad News” in the second act. Jaden Dominique who personified the main character Dorothy had a sweetness to her sound and was akin to her ingenue status. It also should be mentioned that actor, Darren Lorenzo who is known in the gospel world was an impressionable Tin Man as he riffed through the song, “Slide Some Oil to Me.” He was a standout performer.
Overall, the artists made their talents apparent whether it be within the main characters of the show, or the ensemble who were lovingly referred to as “Winkies”. It paid appropriate homage to the vision that the original composer (Charlie Smalls) intended. This was communicated effectively by Christie Chiles Twillie who music directed the show with the right elements when it came to pairing of voices.
The orchestra also knew how to keep the beat. It certainly left audience members tapping their toes afterwards. Therefore, while certain aesthetic moments were somewhat lacking in positioning and set design, it nonetheless was truly a fun show.
Rating 3.5/5
- Megan Poff